my 10 novels

Since my social media vacay apparently has catapulted me into random-abundant-blogging mode, and since I have books on the brain (HA HA BUSINESS AS USUAL AMIRITE), here are the titles and statuses? stati? of my finished…um…”finished” novels.

Egad, I bet ya’ll thought that sentence would never end.

(BUT I HAVE A MILLION OF THEM OH YES YOU CANNOT HIDE OR FLEE YOU WILL BE ASSIMILATED AND YOU WILL LIKE IT)

*ahem*

*eyeroll*

My Ten Novels

1. “‘S’ Is for Survival” — a practice novel

  • completed at age 15
  • YA soft sci-fi/coming-of-age
  • not related to Sue Grafton’s mystery novels
  • inspired by The Girl Who Owned a City by O.T. Nelson
  • two drafts; will never see the light of day

2. Mindsnatcher — a practice novel

  • completed at age 17
  • YA sci-fi
  • two drafts; will never see the light of day

3. Tomato Electric Destroy Force 9: Writer Dearest and the Interlopers

  • a novel about one writer’s adventure through NaNoWriMo
  • 3rd or 4th draft stage
  • will see the light of Publication Day if I can firgure out how to author-pub it; it contains must-have images and would work best in color

4. Colors of Deception (Demons of Saltmarch, #1) — published by Consortium Books

5. Shadows after Midnight (Demons of Saltmarch, #2) — published by Consortium Books

6. Stains of Grace (Demons of Saltmarch, #3) — published by Consortium Books

7. Rethana’s Surrender (Legends of the Light-Walkers, #1) — published by Consortium Books

8. Rethana’s Trial (Legends of the Light-Walkers, #2) — published by Consortium Books

9. The Dying of the Light (Legends of the Light-Walkers, #3) — author-published, Faeddra Books

10. The Elevator — author-published, Faeddra Books

Big ol’ FYI. 🙂

What’s next?

Next is the Legends of the Light-Walkers short story anthology I’m working on. My goal is to pub by December 31st; preferably earlier, so I can do a Christmas special and whatnot. But I’m not pressuring myself. The holidays are stressful enough as it is, and I plan to enjoy myself in any case. So we shall see what we shall see. In the meantime, my coffee cup needs a refill. Laterz, inklings!

ANNOUNCING: The Dying of the Light

PEOPLE!

IT’S ALLLLLLIIIIIIIIIVVVVVE!

And that’s no accidental Frankenstein reference, either.

DyingOfLight_CVR_SML

The Dying of the Light (Legends of the Light-Walkers, #3) is a monster of a book in more ways than one. It clocks in at 156k words of story and about 550 pages, give or take a “loc” on Kindle. The book has been in the making for over 20 years; it sat untouched in a box for 15 years; it required one complete rewrite from scratch and several partial rewrites; my getting started on it took a stern talking-to from none other than Bernard Schaffer (more on *that* another time); and from first rewrite to PUBLISH took 16 months.

This book ate my lunch and my brain. It is the most challenging and cantankerous novel I have ever written.

It was all worth it.

Special thanks go to Bernard for the butt-kicking; Josh Unruh, Becca Campbell, and my mom for the beta-reading; and Jessie Sanders, my editor (hire her!). Without them, this book wouldn’t have happened.
: )

But enough about the pre-pub stuff! You see the lovely cover art up there, by the longsuffering and brilliantly talented Steven Novak (hire him!). Here is the story:

Rafe Skelleran is losing his mind. Weird nightmares ruin his sleep and dog his waking hours. Even the booze doesn’t help anymore. And the worst part of going crazy is he doesn’t even know why it’s happening.

In the midst of his descent into madness, a woman shows up on his doorstep, all curves and feisty foreign accent. This dream girl is real enough, but her babble about ancient wars and lurking enemies is the stuff of fantasies. Her rantings gain the weight of reality when an enemy arrives with an arsenal of otherworldly powers and tries to murder Rafe. Fleeing the destruction of his home, blood on his hands, Rafe realizes that if he wants to get out of this alive, he’s going to have to stick with a woman who’s possibly crazier than he is.

Besides, she knows about his dreams. She knows the green-eyed crone whose nightly pleas are driving Rafe insane. She says the old woman is real and that she can take Rafe to her. And Rafe can’t pass up the chance to find out the truth.

Hijacked to a strange world where he is surrounded by powerful, dangerous allies, Rafe soon realizes he’s no safer with these people than he was on his own. Every time he turns around, someone insists he’s not who he thinks he is. Every time he turns around, someone wants him dead. On the run with what seems the least of many evils, Rafe doesn’t have a single person in this strange land he can trust.

Even worse, he feels a dormant, volatile power knocking from within, urging him to let his magic loose. He must unlock it before facing his darkest enemy, for without it he can’t possibly survive. It’s that or accept an allegiance that will give him the worlds…if he’s willing to sell the last little bit of himself he has left.

So there you have it, my lovelies! The Dying of the Light, ready and waiting for your reading and reviewing! Click, buy, and enjoy!

The Dying of the Light is available at Amazon (Kindle), Barnes & Noble (Nook), iTunes, Scribd, Kobo, Inktera, Tolino, and Oyster.
(If you don’t see links or can’t find the book through a search at those vendors, check back with the vendors soon. The book will show up there in the next few days.)

UPDATED: Why Amazon deleted all my ebooks

UPDATE: Rethana’s Surrender, Rethana’s Trial, Colors of Deception, Shadows after Midnight, and Stains of Grace are once again live at Amazon. And the reviews for R’S TRIAL and STAINS have transferred. HALLELUJAH! Hopefully, the other books’ reviews will transfer soon. (Draft2Digital has notified me that I shouldn’t be surprised if it takes a week or more for this to happen [if it happens at all {I remain dismally skeptical on this point }].) (I hope I got that punctuation right.)

(You should interpret my overuse of ( ) as an indication that I am keeping a stiff upper lip, old chap.)

To my dismay, D2D also corrected my misconception that ranking would transfer. Ranking will, in fact, NOT transfer. I guess it’s not such a big deal for me, since I’ve never ranked terribly high anyway…but it really sucks for a ton of other D2D authors who DID have a decent ranking. Great sympathies to them. This situation is so very frustrating for all of us.

~C.

Hile, lovelies,

Once upon a time, you might recall, I wrote a review of a great tool for writers called Draft2Digital. In brief, Draft2Digital (D2D) does all the work for me of uploading my books to the vendors Amazon, Kobo, iTunes, CreateSpace, and Barnes & Noble. I called D2D “the only thing you need to self-publish.”

Thanks to Amazon, I’m having to rethink that assessment.

I still believe 110% in the D2D model. It works fantastically, it saves me time, and it’s more author-friendly than its competitors (mainly because it was conceived of and executed by writers).

But for reasons* unknown to me, Amazon this week decided to remove all ebooks published through Draft2Digital. According to D2D, Amazon claims that D2D is…

“…in violation of [Amazon’s] terms.” Amazon gave D2D “…no opportunity to appeal or correct their complaints, and showed little concern for the impact that action has had on [D2D’s] users….”

–Draft2Digital,
January 31, 2014
February 4, 2014

Amazon’s course of action was to block D2D’s access to its account and to de-list all ebooks published through D2D. Notably, all notification I’ve received on this situation has come from the very apologetic Draft2Digital. I have yet to receive a single communication from Amazon.

Today is when the fit really hit the shan (thank you, Zelazny). One of my books, Rethana’s Trial, has disappeared from Amazon entirely, because I only ever had the ebook for sale. (I am remedying this by at least finally getting around to uploading the paperback file to CreateSpace.)

The rest of my novels — Rethana’s Surrender and all three Demons of Saltmarch books — are still available at Amazon in paperback, but the ebooks are gone. I’ve still got ebooks for sale at Kobo, iTunes, and Nook, but those sales are barely pocket change. Since ebooks at Amazon comprise most of my sales, you can imagine where this leaves me. (READ: high and dry.)

Oh, and the A Consortium of Worlds anthologies in which I have short stories — available only as ebooks — have disappeared just like Rethana’s Trial. So much for those.

I probably don’t have to tell you that I am beyond frustrated over this situation. Today I spent a total of 6 hours filling out tax info at Amazon, as well as filling out information on five different books and uploading book files and cover art.

I was involved in getting the Consortium of Worlds anthologies on Amazon, so I’ve at least worked with their Kindle Direct Publishing (KDP) system before. But that was several years ago. And there’s a reason I went with Draft2Digital in the first place: SO I WOULDN’T HAVE TO TAKE THE TIME TO LEARN USER INTERFACES AND FILL OUT FIELDS AND UPLOAD FILES.

GAH.

I’m relearning/learning KDP in the middle of knowing that I’m losing sales as we speak. No, I’m not a best-seller, but I at least make enough on my novels to contribute to the grocery budget every month. And that happens to be money my family needs. Amazon is directly responsible for taking grocery money out of my pocket — READ: food out of my baby’s mouth — and oh honey you better believe that burns me up.

No, nobody’s gonna starve. But things are going to get a little tight around here if I can’t fix this fast.

However, since all five of my novels were indie-published (meaning I didn’t have to do all the uploading to D2D myself in the first place), I’m having to hunt down mobi files and cover art files and make sure I’m uploading everything exactly the way the original files were uploaded. Otherwise I lose my rank and all of reviews.

Oh yeah. There’s that, too. If I don’t do it all exactly right, the ranks and reviews of all my books won’t transfer to my new sales pages, and it’ll be like I’m starting my indie/self-pub career from scratch.

No, I don’t have a high ranking. No, I don’t have a lot of reviews. But I fought hard for what I do have, and to know that I might lose it all in one fell, Amazonic swoop is just utterly demoralizing.

I’m mad. I’m frustrated. I’m irritated. I’m discouraged. I want to sling profanities haphazardly.

Really, I just want to cry.

But I’m not going to cry. I’m going to do what I have to do to get my grubby hands on the mobi files and the jpg files and the rest of the info I need, and I’m going to get those ebooks back up on Amazon. And if the rankings and reviews don’t transfer, then so be it. I’ll start over. Because, yes indeed, friends and neighbors and assorted pets, I AM IN THIS FOR THE LONG HAUL, no matter how long it takes or how hard I have to work or how discouraging the road gets at times. This is a roadblock, and I’m going to flatten it.

Noli nothis permittere te terere.

I’m also going to watch this a few times because it’s FUNNY.

MAKE ME FRIES.

__________________

*I have my suspicions, but it’s probably good form to keep those to myself for now, considering that I have no shred of evidence that certain big-name companies have anything at all to do with this situation. 😛

Apparently, I’m not a real writer. And I’m guessing you’re not, either.

Hile, inklings!

Tonight, I have opinions. And they will not be silent. You’ve received fair warning.

A couple of authors I follow on Twitter — namely, John Scalzi and Chuck Wendig — led me to this article by Lisa Morton, Vice-President of the Horror Writers Association, in which she expounds upon the difference between a professional writer and a “hobbyist.”

What a terrible, long sentence. My apologies. But I’m letting it stand, because I’m not a real writer anyway, and I probably don’t know any better.

Okay, okay, so that level of snark on my part is a bit uncalled for. (Maybe.) Especially since Ms. Morton isn’t calling me a “fake” writer (as opposed to a “real” one). She’s acknowledging that I’m a writer, just not a professional. Well, I kinda take umbrage at that.

Morton lists ten questions, which, according to her, a writer must answer with “yes” in order for her to consider that person a pro. In her graciousness, she will “cut you a little slack and say you can get off with 80% and still call yourself ‘professional’.” Please note that this is a direct quote in which Morton has her closing quotation marks in the wrong place. But who’s counting.

She also warns that if you scoff at her questions, she will consider you a hobbyist, and you are not to call yourself “professional” in her presence.

No. I’m not even kidding.

I know nothing about Lisa Morton personally. Until tonight, I’d never even heard her name before. Yes, there are places in this post where I’m pointing out her incorrect punctuation and grammar (still to come), but I have nothing against her personally. But her tone and word choices sound elitist to me, and as a writer (whose level of professionalism is tbd), I feel the need to speak out against it. Because it’s bad form, y’all.

Anyway, back to the questions. Or, as Morton puts it, “onto the questions.” (She really means “on to.”)

Lisa Morton’s 10-Question Acid Test of Writerly Professionalism (I just made that up.) and My Answers

1. Is your home/work place messy because that time you’d put into cleaning it is better spent writing?

No. My home is messy because I have a 10-month-old and cleaning is low on my priorities list.

2. Do you routinely turn down evenings out with friends because you need to be home writing instead?

No. When I get the chance to go out with friends sans baby, I jump at said chance because if I don’t, I will go bat guano crazy.

3. Do you turn off the television in order to write?

Rarely. For the last several months, TV has been the only way I can unwind, and if I try to write instead, I just fall asleep.

4. Would you rather receive useful criticism than praise?

Yes.

5. Do you plan vacations around writing opportunites [sic] (either research or networking potential)?

No. I haven’t been on vacation in 4 years because I can’t afford it.

6. Would you rather be chatting about the business of writing with another writer than exchanging small talk with a good friend?

No. I don’t enjoy discussing the business of writing. I do enjoy discussing the craft of writing and will do so happily at any given opportunity. However, I will not do so to the exclusion of chatting with a good friend, because I love my friends (both writers and non-writers) and care about maintaining my relationships.

7. Have you ever taken a day job that paid less money because it would give you more time/energy/material to write?

Sort of. Before I had a baby, I spent 4 years at a job that paid no money at all at the time: writing.

8. Are you willing to give up the nice home you know you could have if you devoted that time you spend writing to a more lucrative career?

I don’t understand this question. Does this mean I should think my current home isn’t nice? If I do think my current home is nice (which I do), how does that automatically mean I don’t have a professional mindset?

9. Have you done all these things for at least five years?

Since I’ve answered only one question so far with “yes,” I guess the answer to this one is “no.”

10. Are you willing to live knowing that you will likely never meet your ambitions, but you hold to those ambitions nonetheless?

Is this a question about suicidal tendencies?

One out of ten. I don’t even score as “pro” within the bounds of Morton’s gracious 80%. The thing is, even if I weren’t devoting most of my time to keeping a baby healthy, whole, and happy — even if I were at my previous writing “level” of 5-8 hours per day instead of 2 hours per week — even if that were the case, I’d still only score as “hobbyist” in Morton’s eyes.

Not that it matters. As I stated above, I don’t know Morton, and I never heard of her until today. I have nothing against her personally — but neither do I care about her opinion or her classification of me. Her scoring system isn’t the be-all, end-all of whether or not someone is a professional writer. Her scoring system is a subjective description of her own process and her view of her own writing career. As far any other writer is concerned, it’s a moo* point.

The end of the matter is, there’s really only one thing that distinguishes a professional writer from a hobbyist. A professional writer gets paid for writing. BOOM. If you get paid for writing, you’re a professional writer. That’s it.

Morton’s list is elitist and exclusionary. It keeps people out — when what needs to happen is that we writers band together and invite each other in. We need to challenge the darkness individually and collectively. We need to form a tribe that affirms and reaffirms and assures and reassures. As my friend and fellow indie author Bernard Schaffer writes,

“We all learn together, share our information, and support one another’s endeavors, including stepping in and saying when someone is doing something they shouldn’t. …Be a member of the community and support it, both financially and socially, and it will support you back.”

~from The Manifesto of Independent Writing and Publishing

Designing a test to see who’s pro and who isn’t does nothing more than exclude those who need a tribe’s support the most. And if those people are consigned to the outer regions where “hobbyists” apparently dwell, there’s little chance they’ll ever discover motivation for “becoming professional.”

As for me? Well, I’m not earning the big bucks, that’s for sure. My books were selling well enough to make a car payment, but summer sales are down. So at least I’m contributing something to the grocery budget. Once I get my WIP finished and published, I have every confidence that at least a few more car payments will be in my future. ; )

Hi. My name is Courtney Cantrell, I get paid for writing, and I am not a hobbyist.

___________________

* “It’s a moo point. …It’s like a cow’s opinion. It doesn’t matter…it’s moo.”

~Joey Tribbiani,
“Friends”

ANNOUNCING: #Specfic #Horror #SF Short Stories Wanted!

Best-selling Far From Home Series author Tony Healey has put out a call for short stories. He’s publishing an anthology for charity in November and is taking submissions in speculative fiction, horror, and sci-fi. Here are the details from Tony himself:

TITLE: TO BE DECIDED

AGENDA: Charity anthology of Speculative / Horror / SF short stories with 100% of proceeds to go to The Cystic Fibrosis Trust

WHAT I’M LOOKING FOR: One short story per person in the speculative, horror and SF genres no longer than 10,000 words. They can be previously published work, provided you have the rights to allow me to reuse them. For unpublished new work, it should be the best you can get it, although all new stories will go through an editorial process.

EXPLANATION: I am looking to put together an anthology of speculative, horror and SF stories to raise funds for The Cystic Fibrosis Trust.

As this is a charity anthology, I cannot offer any form of payment. You will be submitting your work in the knowledge that it will be used to raise money for a charitable cause. However, you will be able to publish your story elsewhere, independent of the anthology. And, if the anthology is as successful as I hope it will be, you will gain free promotion of your own work from its sale.

I am in contact with an artist I have admired for years, who worked on numerous famous book covers in the 70’s. I’m hopeful that he will allow me to reuse a piece of his for the front cover.

I will be contacting several well known authors, both traditionally and independently published, to see if they will be willing to either contribute a new piece of fiction, or allow me to reprint something already published.

Note that in the case of work being reprinted where it has already been published, I will accept it ‘as is,’ i.e. there will be no edits required or requested.

The anthology will be professionally edited, formatted and will have a professional cover. It will be a Kindle exclusive. There will be regular updates on my site www.tonyhealey.com regarding how many copies of the anthology have sold, and how much has been raised.

HOW TO SUBMIT: Email me at tonyleehealey@gmail.com with ANTHOLOGY in the subject line and your story as an attachment. The deadline will be the end of October, 2013 for a January 2014 release.

So, there you have it, folks. Get your short story engines revved up and let those writing fingers fly!

Pubbed and Read in 2012

Just a quick review!

Rethana's Trial front

Published

SHADOWS AFTER MIDNIGHT, Book 3 in my paranormal fantasy trilogy Demons of Saltmarch.

RETHANA’S SURRENDER, Book 1 in my epic fantasy series Legends of the Light-Walkers.

RETHANA’S TRIAL, Book 2 in Legends of the Light-Walkers.
 
 
 
 

Read

The asterisks indicate particularly enjoyable reads. And I beat last year’s total. Yay readin’ me. : )

1. Fool Moon by Jim Butcher
2. Whitechapel: The Final Stand of Sherlock Holmes (Gentlemen’s Edition) by Bernard J. Schaffer
3. Into the Flames by Jessie Sanders
4. Everything’s Eventual by Stephen King
5. Recursion by Tony Ballantyne
6. The Help by Kathryn Stockett*
7. Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll*
8. A Consortium of Worlds, #2 by Consortium Books, ed. Joshua Unruh and Courtney Cantrell
9. Another Fine Myth by Robert Aspirin
10. Myth Conceptions by Robert Aspirin
11. Queen of Dragons by Shana Abé
12. Throne of Jade by Naomi Novik
13. Dragondrums by Anne McCaffrey
14. Legends 3 edited by Robert Silverberg
15. Velocity by Dean Koontz
16. The Secret Woman by Victoria Holt
17. The House Next Door by Anne Rivers Siddons
18. Camouflage by Aaron Pogue
19. Jesus Manifesto by Leonard K. Sweet and Frank Viola*
20. Dealing with Dragons by Patricia C. Wrede*
21. Searching for Dragons by Patricia C. Wrede
22. Calling on Dragons by Patricia C. Wrede
23. Talking to Dragons by Patricia C. Wrede
24. The Servants of Twilight by Dean Koontz
25. Passenger to Frankfurt by Agatha Christie
26. Revise Us Again by Frank Viola
27. Midnight by Dean Koontz
28. Sole Survivor by Dean Koontz
29. The Golden Key by Melanie Rawn, Jennifer Roberson, and Kate Elliott*
30. Foreign Identity by Becca J. Campbell
31. A Consortium of Worlds, #3 by Consortium Books, ed. Joshua Unruh and Courtney Cantrell
32. The Dragonbone Chair by Tad Williams
33. The Stone of Farewell by Tad Williams
34. To Green Angel Tower, Pt. 1 by Tad Williams
35. To Green Angel Tower, Pt. 2 by Tad Williams
36. Metamorphoses by Ovid (not finished)
37. The Dragonprince’s Heir (The Dragonprince Trilogy, #3) by Aaron Pogue
38. Saga of the Myth Reaver: Downfall by Joshua Unruh
39. The Cost of Discipleship by Dietrich Bonhoeffer (still in progress)
40. Soft Come the Dragons / Dark of the Woods by Dean Koontz
41. Breathless by Dean Koontz
42. Your Heart Belongs to Me by Dean Koontz
43. Abraham Lincoln: Vampire Hunter by Seth Grahame-Smith*
44. A Dirty Job by Christopher Moore
45. The Kite Runner by Khaled Hosseini*
46. The True Confessions of Charlotte Doyle by Avi*
47. Karavans by Jennifer Roberson
48. The Gunslinger by Stephen King
49. The Drawing of the Three by Stephen King*
50. The Waste Lands by Stephen King
51. Wizard and Glass by Stephen King
52. Wolves of the Calla by Stephen King
53. Song of Susannah by Stephen King*
54. The Dark Tower by Stephen King*
55. Ender’s Game by Orson Scott Card*

Conclusion: I need to read and review more indie-pubbed and self-pubbed novels in 2013. This will slow down my progress on my to-read shelf, but oh well. There’s nothing like sacrificing for the cause, right? ; )

Happy New Year, dearest inklings!

ENJOY THE NEW YEAR’S READS!

Announcing New #Fantasy Novel: RETHANA’S TRIAL

Hile, my lovely inklings!

Here’s hoping this finds you all warmly ensconced at home, sipping hot chocolate or something of the cider variety whilst enjoying the unique bliss of post-holiday relaxation. My Christmas was two-fold: first an afternoon of fun, food, and presents with my parents on the 23rd, then two days of fun, food, presents, food, more food, and then some more food at the inlaws’ in Texas.

After I’d gained 5 lbs., we departed for the snowy north. We made it as far as Ardmore, Oklahoma, around 5:00pm Christmas Day before we conceded defeat in the face of ice and snow. A night in a cozy motel, then we finally headed home. All in all, a successful holiday — even including the snowy adventure. Even with a baby in the car, I can’t help but enjoy a good storm. ; )

NEWS

Rethana's Trial front
It’s been on Twitter and Facebook already, but this is my first chance to announce it here:

RETHANA’S TRIAL IS LIVE!

The story picks up right where the Rethana’s Surrender cliffhanger left off. So if you’ve been itching to find out what happens next, now’s your chance! Pick up your e-copy for Kindle or Nook.

Also, if you’ve given a fantasy-reading loved one an e-reader for Christmas, I’d be ever so grateful if you recommended me…or just went ahead and bought them both Rethana stories. : )

Rethana’s Trial is my fifth published novel and the second book in my Legends of the Light-Walkers (LLW) series. Rethana’s Trial is the sequel to Rethana’s Surrender, which I talk about here. (You can also click here to read all the posts tagged with the title.)

Incidentally, the paperback should be available in January 2013.

I am so excited to have this second Light-Walkers novel out in the world. From start to publication of Book 2, Rethana’s story has been 9 years in the making. Rethana herself, her adventures, and her supporting cast have been an integral part of my life for almost a decade, and —

Wow. Wait a second.

Almost a decade.

A decade.

A DECADE.

That’s a long relationship with a book, y’all. Especially in our modern era of self-pub-ten-titles-a-year, a decade is a long relationship. It’s practically a life-long marriage. It’s an über-gestation (and those of you who know me well also know that I don’t use that German “prefix” [it’s actually a preposition] lightly).

And now Rethana’s out there — all of her, not just a cliffhanging first half — and I’m both excited and a little relieved. Excited because so many of you lovely people let me know how much you enjoyed the first LLW novel, and now you can finally get your hands on the rest of Rethana’s story. Relieved because Trial has been my only writing project for most of the year. Other stories are calling me, and I’m ready to answer. I’m ready to leave Rethana to you lovelies and scribble out some new adventures for you to enjoy.

So what’s next?

Well, first I intend (finally!) to finish Elevator People, the low sci-fi I started in 2011. After that, I’ll turn my attention to the next LLW novel. And what shall this one be about? I’m not sure yet, as I’ve got a few options. There’s the story of Esau the Gray One. There’s the story of Taeven Ravenhair. Both of them get mentions in Rethana’s two-book tale. But then there’s also the story of Rowan First Cerelae. Not to mention the story of Deren…Rethana’s son.

I’m not sure which of those I’m leaning toward yet. Esau’s story at least has a ton of prewriting already under its belt. But Deren and Taeven each have several chapters already. On the other hand, Esau’s got an entire novel that I wrote between ages 17 and 21. The writing is horrendous, but at least the chunk of marble has a discernible figure carved into it.

Decisions, decisions…. *sigh*

Oh well. I don’t have to decide now. Elevator People is my next priority. I’ll ponder what’s to follow that and keep you posted. : )

In the meantime, here’s the full spread of cover art for RETHANA’S TRIAL. This complete gorgeousness is brought to you by the incredibly talented Lane Brown. Cover design is by Krysten Marshall. For some reason, WordPress isn’t letting me share a larger version with you. : ( If I can figure out how to fix this, I will.

Rethana'sTrial

The Only Thing You Need to Self-Publish

…besides a story that you’ve written, of course. ; )

Out with the Old

Okay, so you’ve written this novel, right? You’ve fact-checked, proofread, edited. Your beta readers have feedbacked the whole thing. You’ve rewritten, cut, killed your darlings. You’ve (hopefully) retained the services of an editor to catch all the errors you’ve missed (because you did miss them — trust me). You are ready to publish this work. You’re ready to feast your eyes on your sales pages at Amazon Kindle, Kobo, iPad, Nook.

Now what?

Last week you would’ve had to access Amazon Kindle, Kobo, iPad, Nook, and go through the entire publishing process at all four vendors, each of whom has a slightly different process that you would’ve had to figure out.

I don’t know about you, dear inklings, but the two times I’ve gone through the whole thing just at Amazon and Barnes & Noble (my publisher has done it for me the other two times), I found it less than exciting, less than simple, less than user-friendly. The best I can say is that it didn’t suck.

But that was last week.

That was old technology.

You heard me right. Uploading to all the different vendors individually is obsolete. This week, there’s a new service available

that will do it for you

in a single upload

AND WILL DO IT FOR FREE.

This new kid in town, my dears, is called Draft2Digital, and it is cramazing.

In with the New

 

D2Dlogo

 

Draft2Digital does exactly what the name says it does: takes the final draft that you’ve created in your word processor, converts it to the different formats necessary for the different e-readers, and spits out lovely, professionally formatted e-books at the various vendors. Draft2Digital does this at no cost to you. They lovely folks at D2D don’t get paid until you start selling books (marketing and selling, btw, are up to you). For saving you a ton of time, work, and headache, all they get is a small cut of whatever royalties you make off the book you uploaded.

Because they love writers, that’s why.

I got the happy task of beta testing D2D, and lemme tell ya, it was easy. What would’ve taken me hours upon hours (spread over several weeks, no doubt), took about 10 minutes. I got to preview my ebook in each of the different formats, and it looked perfect. D2D even generated a copyright page, an About the Author page, and a Table of Contents for me. I didn’t produce a single drop of authorial sweat.

What’s also tremendously cool here is that D2D pulls all the sales info, sales rank, stars, and reviews from all the different vendors and displays it all in one place. So you don’t have to go skipping about from site to site checking all the stats and trying to figure out just how many books you’ve sold and how many reviewers have said nice things about your baby novel. D2D does it all for you.

You want this, writers. You know you do. Because we’re all in it to write, right? The more we can load the business burden onto someone else’s shoulders, the better, right? Because that gives us more time for writing, right?

Right. Draft2Digital has the shoulders. It’s the singular hub of your entire writing business. All you gotta do is upload.

It’s still in the beta testing stage, so there are a couple of kinks. I, for one, write my stories in Google Docs, so I had to contact D2D to ask how to make it work. The good news is that the fix was simple, and the fix worked. And in the FAQs, the D2D people promise to get the Google Docs thing worked out. So I’m down wid it.

If you wanna beta test this beautimous operation, you can request an invite here.

THIS IS BIG STUFF, PEOPLE. This is the kind of thing that revolutionizes industries. Why? Because it makes people’s lives easier. The e-books of self-publishing and indie publishing have already made legacy publishing obsolete. Draft2Digital is the next step, and it’s a huge one.

Me, I’m excited to be stepping along with it. So go hop on board, me lovelies, and get your beta invites while they’re hot!

Your Novel Is Missing Something

Greetings, my lovely inklings! I hope your day is fantabulous thus far.

Since I’ve been posting on so much various and sundry of late, I thought it well to pen for you a few whats concerning writing today. This is also by way of an update on my own Writing Life, i.e. my work-in-progress, i.e. Rethana’s Trial (Legends of the Light-Walkers, #2).

Background Particulars

If you recall, I recently mentioned in passing that I’d submitted the final draft of Rethana’s Trial to my indie publisher. I did not, however, make note that while I considered the draft complete, I did have a few minor bits and pieces to clean up. I figured that I could just work ahead of Aaron and have all of my fantastical ducks in a row before he laid eyes on whatever section of story I’d just finished polishing.

Said polishing, by the way, was to consist of fact-checking Book 2 against Book 1; fixing some linguistic errors in Lirren Eamnaya, the language I invented for this series; and making sure that the redhead in Chapter 2 wasn’t a brunette in Chapter 17. Things like that.

I write my stories in Google Docs, so I’d left myself comments all over the place. And as I went through the document, checking and fixing and comment-resolving and congratulating myself on how well I was keeping ahead of Aaron, I came across the following:

Note to self

Do please click to embiggen and feast your eyes on the note I left myself on the right-hand side of the screen capture.

Yes. I had managed to “complete the final draft” and had left out an entire chapter in the process.

*le sigh*

I sent Aaron an email with the subject line “oh crap,” detailing the lack of finishedness. The good news is that in the Google Doc comment, I’d left myself an outline of the missing chapter. It’s a very rough outline, but at least I’m not racking my brains trying to remember what it was I intended said chapter to contain and accomplish.

The bad news is that I could go into labor at any moment, and if I don’t get that chapter written before this happens, I likely won’t get it written for at least another month. (I am trying to be optimistic.)

How to Add Necessary Wordage to Your Novel

So. Now the goal is to add 4,000-6,000 words to the story. How to accomplish said feat? I know I can’t be the only writer out there to be facing such a task, so I thought I’d delineate a few steps for all of you writerly people. This is by no means an exhaustive how-to; this is just how I’m approaching the problem. If it works for you, too, then I’ve done A Good Thing. : )

How to Add Necessary Wordage to Your Novel

1. Have an idea of what those words need to be.

As I mentioned above, I’ve already got a rough outline of what needs to go into this chapter. Now, by “outline” I do not mean a point-by-point bulleted list, although that might be helpful. I mean I have three or so run-on sentences that say “first this happens and then this and then someone says that and the MC responds and then they argue and blah.” Yes, the “blah” is a direct quote. When I wrote the comment, I needed to remind my future self of the thoughts that had inspired the idea that the story needed this chapter. The Run-On Blah serves as my “oh yeah, that.”

2. Know what the extra words need to accomplish.

In my case — and without providing spoilers — my entire extra chapter serves a dual purpose:
(a) It fleshes out a side character as one of the main antagonists of the story.
(b) It provides my main character with extra motivation for her decisions over the course of the next 2-3 chapters.

Unless you’re in the throes of NaNoWriMo and are trying to pad your word count, you’re never just adding words for the sheer heckuvit. This is not a thesis paper to which you’re adding fluff in order to get your letter grade. This is a novel, in which every word must be absolutely necessary. (Really, you should approach thesis papers the same way, but who does that?) In novel-writing, if a word doesn’t need to be there, you have to cut it. Conversely, you shouldn’t add a word unless you need it, either.

So, before you go adding a couple thou of wordage to your story, be sure of what function you want those words to perform. Fleshing out character? Adding motive? Clarifying action? Tying up subplot? Giving main character another delicious obstacle to overcome?
Decide. And then move on to the last step.

3. Engage butt-to-chair and write the darn thing.

I discovered my lack-of-a-chapter on Thursday. I didn’t get around to sitting down to the story again until Monday. Granted, in the meantime I had baby-related necessaries to accomplish and away-from-keyboard activities in which to engage. But still…I’m a big enough girl to admit to the possibility that I might have been procrastinating a little.

Do as I say, not as I do. In every step of novel-writing, plunking your butt in your chair and just doing the work will ultimately be the only thing that gets your story written. It’s the only thing that will get your story finished — and I mean really finished, not just ready for someone to start reading while you frantically work ahead of said beta reader and hope they don’t catch up to you before you’re done.

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So, there ya have it. My three steps on how to add necessary words to your novel. Comments, questions, and even disagreements are welcome. What would you add to the list?

5 Points on How to Write an Effective Book Review

Hile, inklings,

If you pay any attention at all to publishing industry news — specifically e-pub and indie pub — you know that we indie writers have a nearly insatiable craving for online reviews.

There are many reasons for this, but the crux of it is that the more favorable reviews we get, the more books we sell. Our greedy little writer-hearts like to know that the world is reading and enjoying our stories (not to mention the fact that our pocketbooks appreciate sales, too), so seeing favorable reviews and selling more books flips our bangerang switches most verily.

(Translation: We like it a lot.)

A Word on One-Star and Two-Star Reviews

And that word is: “blech.”

(By which I don’t mean “Blech,” which is German for “tin.”)

No, we don’t like low-star reviews. But I would venture to say that most of us accept them (whilst heaving heavy sighs), accept the reality of them, and accept even the necessity of them. A well-written low-star review can actually tell us valuable information about what works for readers and what doesn’t.

(Philosophical sidenote: Though I don’t believe in pandering to the crowd, I do believe in knowing one’s audience. Understanding + respecting reader expectations = okay. Pandering = not writing what writer really wants to write = not okay. Please to be noticing the difference.)

(Also, sorry about the penchant for parentheses. It’s a thing today, apparently.)

Me, when I read a low-star review of one of my own works, I indulge in a 24 to 72-hour wallow of self-pity. (I do not write a response to the review.) Then, I re-examine said review to see if there’s anything of value in it. If there is, I file that information away for possible future reference. If there isn’t, I attempt a brain-dump so that the self-pity doesn’t come back.

Sometimes, I have to repeat the brain-dump several times before it takes.

But I digress.

Brief Interlude

NOTE: Yes, I am a writer. Yes, I have strong opinions about the reviews I receive. BUT. I do recognize that reviewers aren’t writing for me. Reviewers are writing for their fellow readers.

Allow me to re-state, because this is a thing of importantness:

A book reviewer writes a review for the benefit of other readers, not for the writer’s benefit.

Basically, the purpose of a book review is to tell other readers why they would or wouldn’t enjoy reading a particular book.

Keeping this in mind, I shall ignore my greedy little writer self for the remainder of this blogpost. You’re welcome. ; )

Onward to what you really came here for.

5 Points on How to Write an Effective Book Review

1. Make it readable.

Use good grammar. If people can’t understand what you’re trying to tell them, then your review will “fall on deaf ears.” Don’t make review readers squint at their computer screens as they try to decipher whether you thought a character didn’t win ( = lose) or whether you thought he was a slut ( = loose).

For the same reason, and for the sake of all that’s good and writerly in this world, check your spelling. Use a spellchecker if need be. The pregnant main character is not a rotary phone: In the third chapter, she’s dilated, not “dialated.”

And if you’re going to write more than 7-10 lines, do please consider the beauty of the paragraph. Giant blocks of text hurt the eyeballs.

2. Be honest.

If you loved the book, say so.

If you feel neutral about the book, say so.

If you hated the book, say so.

If you didn’t finish the book, say so.

Recently, I challenged a reviewer who left a one-star review on a friend’s novel. I didn’t challenge the solitary star. I challenged the fact that the reviewer provided erroneous information in his review: He stated that Character X did not appear in the novel. He also admitted to not having finished the novel.

My challenge: Character X actually does appear in the novel — which the reviewer would have known, had he finished the book.

Now. Don’t get me wrong. I don’t advocate reading all the way through a book you’re not enjoying. I don’t finish books I don’t like. Who has the time for such shenanigans?

But. If you don’t finish the book, be honest about it — and be cautious about making absolute statements concerning the parts that you didn’t read. If you provide erroneous information about a novel, you are not helping fellow readers make informed decisions about their reading choices.

3. Give your fellow readers something they can relate to.

“If you like beach reads, you’ll enjoy this one.”

“Fantasy readers are going to eat this up.”

“This book is for the reader who’s always wondered what would happen if Orson Scott Card collaborated with V.C. Andrews.”

“If you enjoy YA novels, this probably isn’t the book for you.”

“This book reads very differently from the author’s other works, so keep that in mind.”

Whatever genre you’re reviewing, write toward it — because most of the people who read your review are going to be familiar with that genre. Let them know how a book follows expected conventions. Let them now how the book breaks from convention. Let them know whether or not the break from convention works well.

Know the expectations your genre’s readers will bring to the novel you’re reviewing. Tell them whether or not the novel will meet those expectations.

If the writer does something crazy original that amazed you, tell them to expect that, too.

But for the sake of all that’s good and writerly, do heed the following point:

4. Warn fellow readers of spoilers.

Provide details.

But not too many.

You know when you’re reading a review, and you’re trying to figure out based on the review whether or not you want to buy this book that sounds kinda cool but you’re on the fence about it, and you’re reading along and BAM! the reviewer tells you exactly what happens at the story’s climax?

No? You don’t know? Well, maybe it’s just me. But trust me — it stinks.

The words “SPOILER ALERT” are your friends. For the love of Grabthar’s Hammer, use them.

5. Have fun with it.

Don’t worry too much about what I said in #1. Make your review readable, yes. But nobody’s going to grade you. Your fellow readers just want to know what you liked or didn’t like and whether or not they can relate to your opinion.

I was going to continue this point by saying that you should have fun with your review even if you didn’t have fun with the book. But you know what? That’s probably not very realistic of me, and that might be the writer in me coming out.

If you didn’t have fun with the book, you’re probably not going to have fun with the review (unless you’re feeling gleefully vindictive, I suppose). If you feel dismal about writing the review, then your tone will likely show it. And — although the writer in me mourns this part — that’s probably something your fellow readers need to hear about, too.

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And there you have it, y’all. My thoughts on writing an effective review. So, who are my blog-reading book-reviewers out there? Did I miss anything? Is there anything here you disagree with? Let’s talk about it. I’ve got a lot of opinions, but I’m not in the habit of reviewing everything I read. So I’d love to hear from you! What do you think?