Three Poetry Faves: Existentialist Slithy Flues

I had the following stuck in my head earlier today, so I thought I should share it:

A fly and a flea and a flue
Were in prison,
So what could they do?
Said the fly, “Let us flee!”
Said the flea, “Let us fly!”
So they flew
Through a flaw
In the flue.

~Ogden Nash

I’ve read the fifth line with a different word order, namely: “‘Let us fly!’ said the flea.” But I’ve written it as I learned it back in 8th grade or whenever that was.

The fly and the flea and the flue naturally reminded me of another favorite, which goes like this:

There was a young man who said, “God
Must think it exceedingly odd
If he finds that this tree
Continues to be
When there’s no one about in the Quad.”

REPLY
Dear Sir:
Your astonishment’s odd.
I am always about in the Quad.
And that’s why the tree
Will continue to be
Since observed by
Yours, faithfully,
God.

~Richard Knox

That one just gives me a little existentialist chuckle. ; )

And finally, I’d be quite remiss if I didn’t make note of the master of all nonsense poems, in which the poet tells a complete and comprehensible story by way of words that make no sense at all because he made them up. BRILLIANT.

Jabberwocky

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand:
Long time the manxome foe he sought —
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

~Lewis Carroll

Confessing My Creative Sins, Pt. 1

As a large, flippered, marine mammal once said, the time has come to talk of other things.

But these aren’t easy things like shoes and sealing wax, dear readers. These are hard things, and they’re things it hurts me to talk about. I need to talk about them…but the telling comes with a painful price.

2nd grade short stories

I’m going to tell you about how, once upon a time, I forgot that I was created to create. I’m going to tell you about how I lived in constant fear and about how I did not stand up for my artist-child self. I’m going to tell you about how I didn’t protect her.

Permission

This will be a story in multiple parts. It’ll require dredging up stuff about my past that I would rather not think about.

So, let me put it off just a little longer by sharing with you something I recently read:

“In life…we only have one choice at any given time. The choice to go left or right…forward or backward. The choice to live or to die. The choice to grow or stay the same… .

Just the same as our choice, we have the ability to grant permission or deny it. Permission to love. Permission to praise. Permission to dance. Permission to edify and to justify. Whether in conversations, relationships or alone, we give permission to those around us every single day.

What I find to be most intriguing in my travels as coach and motivating speaker, is how often people give up their choice by granting permission to someone else to make it for them.”
Tammy Redmon of www.tammyredmon.com*

Darling readers, I’ve spent much of my life fiercely defending my belief that we humans are blessed with free will, with choice. And, while I was so vigorously defending my free will, I was also refusing to exercise it. I paid bounteous lip service to the idea of choice, but I allowed other people to make my choices for me.

Created To Create

If you’ve read my About page, then you know the story of how I first realized that my teenhood dreams of authordom actually went farther back than I thought. If you haven’t read my About page, then you should go do that now.

No, really. Go ahead. I’ll wait.

All right! So, now you know about the wordy second grader, the spiders, and the haunted castle. We can move on from there.

My second-grade self knew and took for granted that I was created to create. With all the innocent, stronger-than-steel faith of a child, she trusted wholly in her connection to the thirst-slaking wellspring of creativity. She drank deeply and constantly from the Source. At age 8, age 10, age 12, I had no doubts about what and who I was.

I was creative. I was a word-artist.

When did I start to forget? Ah, it’s impossible to pinpoint. The forgetting didn’t happen from one day to the next. No, it was a gradual clouding-over of vision over the course of more than a decade. I couldn’t have stopped it. I was too young and naive to imagine it could happen to me, much less recognize that insidious progression.

Creative Memory Loss

My late teen years probably saw the most rapid and intense onset of creative memory loss. I was thinking ahead to universities, to majors, to job-after-college. Make money with writing? Not likely, so let’s get a degree in psychology and write on the side.

“On the side” meant “not at all” until my last year of college, when I finished my novel-in-progress for my senior project in English. By now, I’d dropped Psych as a major and adopted Writing instead. One would think this would encourage a prolific pen. Instead, I finished the project, graduated, and let my writing slow to a crawl for a couple of years.

“Real life” left me neither time nor energy for writing. It didn’t seem like a grown-up activity. Forgetting the creativity felt more mature. Not to mention easier.

Who was telling me that being a grown-up canceled out being a writer? The answer: nobody. Nobody came to me and said, “Courtney, you’re an adult now. It’s time to put these childish dreams of writerdom behind you. It’s time to Make Something Of Yourself. Grow up.”

I wish someone had said that to my face! Blatant attempts at control are easy to combat when they’re right under my nose! I could have stood firm under a barrage of verbal criticism, but I didn’t know how to fight the subtle undermining of my creative foundation.

Giving Away Permission

My soul submitted to the shackles one tiny little step at a time. They were laid upon me by society and by unspoken, between-the-lines judgments from various people in my life.

I learned to see my writing as just a hobby. Oh, if anyone had asked, I would’ve assured them that I still intended to publish someday. But I didn’t behave as though I believe that. I behaved as though, in a Top Ten list of priorities, writing hovered somewhere around 9.5.

After I graduated from college, three years passed before I started writing another novel. In the meantime, I wrote poetry. I painted. I moved to the other side of the world.

I did everything I thought I was supposed to be doing.

Read Tammy’s quote again. See those lines about permission? I gave society and other people permission to decide what I should do with my creativity. Everybody had sanction to determine the fate of my artist-child self.

Everybody except me.

To Be Continued…

So, my dearies, that’s the start of the sordid story I’m trying to tell you. I don’t really want to tell it, but I think I need to tell it. And from what some of you have told me and asked me — both in comments here and in person — I suspect some of you might need to hear it.

So keep coming back. I’ll be talking about this for at least a few more posts.

*Quoted by permission.