This week, I read this post by Becca J. Campbell. You really should click through and read, because Becca makes a great case for being honest with ourselves and with each other about our weaknesses…
…but especially telling ourselves the truth about our strengths.
One of my weaknesses is that I tend to be really hard on myself about my weaknesses, enough so that I’ll quietly beat myself up about them while presenting an everything’s-okay face to the people around me.
I work constantly at developing a level of transparency that will prevent me from hiding my self-doubt. It’s a lifelong growth process.
Along with that, I try to infuse into my heart a particular principle I read a few years back (sadly, I don’t remember where):
Focus on improving your weaknesses, and all you’ll end up with are strong weaknesses and weakened strengths.
Focus on building your strengths, and you’ll end up with strengths solid enough to carry you through the weaknesses.
My Solid Strengths
Becca’s post concerned our writing strengths specifically. So, in the interest of not beating myself up about my writing weaknesses, here are a few things I consider my writing strengths:
1. I have a good feel for language. This is one part innate talent, one part intensive training, and one part life experience. Although I don’t believe for a second that a person has to be born with a certain set of skills in order to be a writer, I did start writing when I was 8 years old. So I suspect there’s something inherited there. I am also the child of two teachers, one of whom taught English for 30 years. She sent me to school but also taught me at home, so I got it from all sides. And on top of that, I learned a foreign language (German) at age 3, which did all sorts of interesting and odd things to the way my brain processes and produces words. I bring all of that to bear on every sentence when I sit down to write.
2. I see scenes, characters, and actions as picture sequences in my head. If you read Becca’s post (which I think you should), you’ll see that I share this in common with her, and she calls it being a “visual writer.” When I’m crafting a story, I feel as though I’m watching a movie inside my head and simply writing down everything I see, hear, feel, and taste. Sometimes, a scene is blurry, and that’s when I know not to force too much detail into a scene. When it’s clear with crisp edges, I know it’s time to divulge more of what I’m seeing. I rarely have to rack my brains to figure out what something looks like.
3. I’ve experienced Not Writing. If you’ve read my posts tagged “confessions”, you know that there was a period of years during which I forgot that I was created to create. I forgot that I was allowed to be a writer. I sank into horrid darkness and turned bitter, sorrow-filled, and hostile. But now that I’m out of that, I’ve gained a deeper appreciation for the gifts of creativity, freedom, time, and support. I know where I’ve been; I know I never want to go back; and I know that the best way to give thanks for the gifts (and to declare the One who gave them to me) is to apply myself to writerdom with uncompromising passion.
4. I don’t believe in “writer’s block.” Strength #3 pretty much takes care of this for me. I practice gratitude and passion by not allowing “writer’s block” to stop me. When I experience the I-don’t-wanna lassitude or the words-just-aren’t-there frustration, I know that my reaction cannot be simply to stop writing. When “writer’s block” hits, I know it’s a challenge to think and work harder. Is my attitude the problem? Is the story broken somewhere? Do I need to change writing locations? (For more on writing locations, read this post.)
“Writer’s block” never means that I can’t write. It only means I need to rethink, review, revise, or relocate.
5. I have a keen awareness of cause-and-effect (aka “what’s the because?).
Cause: My mom did not go with my dad when his quartet, The Four Naturals, made a recording in Nashville in 1966.
Effect: The Four Naturals didn’t get my mom’s “managerial” advice while in Nashville, so they never went pop, and my family ended up moving to Germany in 1980.
Cause: In 1940, Frances Hair eloped with Wilborn Weger instead of going to college.
Effect: I exist.
Cause: Aaron and I played Rockband together at a church party in May 2009.
Effect: I’m published.
Cause: In my WIP (Elevator People), side character Joplin giggles when main character Went says the word “pickpocket.”
Effect: Ten chapters later, they end up battling a psychopath and a vampire on a planet in another dimension.
And so forth.
Cause-and-effect are what you might call “essential” to life. And to a story’s development. ; )
So! There are a few of my writing strengths. What are some of yours? Share in the comments! Or, even better, write your own blog post about your writing strengths and share the link with us!
Making this list required some clear thinking and deep analysis on my part: honest reflection and a stern refusal to let myself slip into self-deprecation mode. Yes, this was all focused on writing…but it was also an act of kindness toward myself as a person. If you’re reading this, and you’re not a writer, I encourage you to make a list of your own strengths in whatever area you like. Let yourself accentuate the positive; show your Self some love.
If you can demonstrate compassion toward You in this way, you’ll be able to do the same for people around you. And blessing others with compassion is a strength worth solidifying in each of us.