Behold! Advice on getting to the end of your novel's first draft. It involves avoiding fell beasts. Come and see!
NOTE: I wrote a version of the following post for JuNoWriMo 2013. Becca Campbell, one of the founders of JuNoWriMo, was kind enough to ask me to write a Pep Talk for this year’s event. I was only too happy to oblige. What follows is a version of that Pep Talk, altered to suit the needs not only of WriMos, but of first-draft novel-writers everywhere. Enjoy!
Greetings, O Ye Warriors of the Mighty Pen!
Word documents. Word wars. Word mongering. Wordiness. WORD COUNTS!
If you’ve committed yourself to writing a novel (which is not unlike committing yourself, period), then you’ve committed to hammering out that first draft no matter what it takes. Some of you have done this before, some of you are doing this for the first time. But whether you’re an oldtimer or a newbie, you know that words are key to succeeding in this crazed endeavor we call noveling.
Well, duh. It’s kind of hard to write a novel without using words. I suppose you could try using music notes instead, but you’d probably end up with some kind of post-postmodern, Wagner-derivative opera suffering from an existential crisis, and I don’t think any of us want to hear that. And writing your novel using Morse code might be tedious. So, words it is.
But the thing about words is…they’re tricksy. They flit like pixies across your page or screen, all innocent-like with their serifs and curlicues…and then they just squat there. Brooding. Staring back at you from your work-in-progress and making you care about them. Making you want to change them. Daring you to change them.
If you change one, you’ll want to change others. You won’t be able to help it; editing when you’re not an editor is some kind of weird addiction. Once you start, you can’t stop. AND THE WORDS KNOW THIS, PEOPLE.
One minute, you’re writing merrily along, something about Our Heroine rescuing the doomed prophecy puppies and drinking the magic elixir in the nick of time. Next minute, you start editing, and before you know it, your Plot Point #3 has turned into Carrot Magnetic Demolition Force 7 and there’s really no turning back after that.
What I’m getting at here, y’all, is that while you’re first-draft-ing, you must avoid editing. The words will tempt you to edit. They will lift their lovely faces to the morning sun, open their lovely mouths, and give voice to lovely siren calls of editing bliss. Do not listen to them! “Beware the Editwock, my son! The affixes that bite, the compounds that catch!”
*ahem* Sorry. Slight Carrollian digression there. But you get the point. First drafts and editing don’t mix. If you let yourself edit, you’ll slow yourself down. Those chapters won’t write themselves, y’know. You gotta put in your butt-to-chair time, and if you take that time for editing instead of writing, you’re going to be hard-pressed to slog through the Middle-of-Story Blues or have the energy for the Finish Line Sprint.
Your best friend, dear writer, is the admonition emblazoned upon the JuNoWriMo homepage:
Don’t worry about the “mistakes” (better known as “happy little accidents,” right?). Don’t worry about the typos, the synonyms, the passive voice, the dangling participles. After you’ve used the last of your strength to type “The End,” you can give in to the sweet seduction and edit all you like. But for now, resist. Don’t worry, and just write.
You have a novel to finish. And the great news is, you can finish it and you will finish it. You’re sacrificing sleep to get there. You’re sacrificing time with friends and family. You’re sacrificing the calm that comes from not over-caffeinating 24/7.
And yes, you’re sacrificing the luxury of poring over your own every word and tweaking each word to perfection.
But all this sacrifice is worth it. In the end, you’ll have a first draft in your hands — and editing it will be glorious. So just write, hon. That’s your only job right now, and you can do it.
Now stop reading this and get back to it. : )