Writers’ Blog Hop: 4 Writerly Questions (also Dr. Seuss)
In case you hadn't noticed, I've been rather absent from my blog for the last two months. This is due to writing, a golden anniversary, and plot-pantsing -- which, according to Google, I just made up. BANGERANG. So come find out about that! Also, there's a blog-hop.
Hidey-ho, beloved inklings!
Did you miss me?
Don’t answer that. ; )
In case you hadn’t noticed, I’ve been rather absent from my blog for the last two months. This is due to three things. Attend, my dears, and I shall tell you them.
Thing One
When I have a spare moment for writing, I devote that moment to (working title:) The Writing of Legends of the Light-Walkers 3, The First Draft: The Draftening. That is not the working title. I just made that up.
Thing Two
Last week, my parents celebrated 50 years of marriage. This is mind-blowing and cramazing and I love them for it. I feel that in this world of hook-ups and hang-ups and h-something-something-alliteration, people like my parents are a ray of hope to those of us who haven’t gotten to the big FIVE-OH (or even the big TWO-OH) yet. Plus, they’ve gone through a lot to make it this far, so all the hats (and possibly other various accoutrements) are off to them.
To show my love and appreciation, I threw them a party (and this is the Thing Two that took up potential blogging time). Cousins and aunts helped, and without these cousins and aunts, I couldn’t have accomplished half of the party prep and the party itself wouldn’t have been half as nice. I spent much of the prep time — and some of the party itself — overwhelmed with gratitude at the loveliness of all of these women who came together to help honor my parents. It was truly a blessing.
With Apologies to Dr. Seuss: Thing Three
I’d thought several times about surfacing from novel-writing and party-planning just long enough to pop in here and say hi. But then Judy Dunn, fellow writer and blogger, contacted me and asked me to join in on a Writers’ Blog Hop. I agreed and then decided to make the blog hop post my “hey how’s it goin’, y’all.”
Hey! How’s it goin’, y’all?
If I’m not mistaken, that brings us full circle. So, woot and cetera.
Writers’ Blog Hop: 4 Writerly Questions
In Judy’s own blog hop post, she answered four writing questions that the previous blogger? hopper? (hoppah!) had asked her. So I get to answer those same questions (AND PASS THEM ON TO THE AB-FAB WRITER ANNOUNCED AT THE END OF THIS POST SO CHECK HIM OUT DO IT DO IT DO IT OR I’LL SEND ELVES TO TATTOO “I’M A NERD” ON YOUR FOREHEAD DON’T TEST ME).
*ahem*
Without further ado or adon’t, here are Les Quatres (4) Questions Writerliques:
1. What am I working on right now?
My current project is the third novel in my Legends of the Light-Walkers series. (The first two are here.) Everything you need to know about LLW3, you can find here. For blog-hopping (blopping?) purposes, I’ll just say that this is probably the biggest writing project I’ve ever taken on, it eats my lunch when I take my eyes off it for the splittest of seconds, and I love every ridiculous minute of it.
2. How does my work differ from others of its genre?
LLW3 is different in that it is the pseudo-urban fantasy prequel to epic fantasies LL1 and LL2. Yes, I’m sorta switching genres mid-series. Except not really. The whole LLW series is meant to be epic fantasy. That’s always been THE BIG IDEA. But for certain things to happen in LLW1 and LLW2, the story of LLW3 has to be told.
The story of LLW3 is the story of Rafe Skelleran — who just happens to have been born in Oklahoma City, OK. That’s not exactly an epic fantasy setting. So when we meet Rafe, he’s still not-so-happily ensconced in his downtown OKC apartment. He crosses over into my epic fantasy world (readers will know this as Rethana’s universe) in…um…a chapter that’s now Chapter 3, I think. But he starts out here. So that’s sorta where the urban part comes in.
Bear with me, y’all. It’ll all come out in the wash, I promise.
3. Why do I write what I do?
Because I gotta.
Next question?
; ) Just kidding. But no, really. These stories are in my head, and if I don’t write them, I get surly and depressed and start oil-painting deepsea anglerfish mermaids (READ: fishtailed girls with ginormous jaws and spiky teeth) and lots of things in black. And then I get accused of demon-possession and nobody has any fun anymore. So I write my stories to make things better for ALL of us. You should thank me.
Really though, do come see the anglerfish mermaid sometime. She’s a cutie.
4. How does my writing process work?
Well, there’s coffee.
Next question?
Yeah, yeah. ; )
I used to be mostly a “pantser”: Flying by the seat of my pants, I dived into Telling The Story with little to no preparation, and it was magnificent and brilliant and exciting until I stalled out and dropped like a stone at around 10,000 words. KABLOOEY.
Nowadays, I still pants it a leeeeetle, but only after I do a lot of prep work. Great Scott, I know that sounds like a major paradox. Here’s how it works:
- I write out a short synopsis — just the basics of what I think will happen. This is MC. This is what MC wants. MC does this. This is Antagonist. This is Antagonist’s goal (in opposition to what MC wants). Antagonist does this. And so forth.
- I write out a Mock Table of Contents, and I let myself be ridiculous with it even if the story isn’t primarily comedy. For instance:
1. “Also, I Can Kill You with My Brain”
2. Down the Rabbit Hole; Dude, Your Ward Is Screwed Up
3. Take Me to Your Dream Weaver (a la REO Speedwagon)
4. Dude Is Janky, Let’s Kill Him
5. Girl’s Got Skillz (Or: Come Here So I Can Hit You with a Rock)
6. In Which the Spirit of Robert Frost Is Channeled. Word.
7. Sanctuary! Also, Get the Hell Outta My Head
8. Most Everyone’s Mad Here; Et Tu, Jael?
9. …You get the picture. That, by the way, is the Mock ToC for the third Legends of the Light-Walkers novel. For keen observers, there might be a teensy-weensy spoiler or two in there. But for the most part, the Mock ToC means nothing to anyone but me. Each chapter title is just a note-to-self on what’s supposed to happen in that chapter. None of these will appear in the final draft.
- I also do a character list, with 300-word descriptions for the protagonist and antagonist, and 100-word descriptions for at least two supporting characters. The other supporting chars just get a bullet point each. I’ll jot down notes on the big event (what catapults the MC into the story), the conflict, the obstacles, the climax, and the denouement. None of this has to be very long; it’s mainly just notes I’ll use for reference if I get stuck while writing the first draft.
I might do a long synopsis and also list what happens scene-by-scene in each chapter, but that depends on how tedious I’m finding the process at this point. I do write better when I’ve done some of this pre-writing, but if I start feeling bogged down with the pre-writing, I move on to the actual writing of the story. Boggy feelings don’t go well with creativity.
HINT: This is where I turn from a plotter back into a pantser. MIGHTY PANTSER-MORPHIN’ POWERS, ACTIVATE.
Oooooh, I know what this is called! This is plot-pantsing. PLONTSING. I AM A PLONTSER, Y’ALL. I think I just invented a term. Check me on this, people — but I bet you heard it here first. (If you didn’t, don’t you dare burst my bubble.)
In the actual writing-of-story process, I just write as fast as I can without (much) editing, so as to get the first draft out in “one” fell swoop. That fellness might take two years to swoop all the way, but if that’s as fast as I can go, then so be it.
After Draft 1 is done, I let it sit at least 6-8 weeks before looking at it again. I then read it all the way through without (much) editing. Then I release the Inner Editor in all her full and glorious wrath and edit and revise and rewrite until Draft 2 is finished. I wash, rinse, repeat until I have Draft 3. Nowadays, that’s likely as far as I’ll go before handing it over to an editor. (I’ll let beta readers take their shots starting with Draft 2). I think the most drafts I’ve ever had on one novel was six.
This is now WAY longer than I’d intended it to be, so I think I’ll go home now. : )
Please check out my fellow wordnerdssmiths in the Writers’ Blog Hop!
Judy Lee Dunn writes to release her true stories in the hope that they will help her readers learn how to navigate life and live to tell about it. Her blog was named a Top 10 Blog for Writers in 2011. She has written everything from marketing and sales copy to grant proposals, children’s books, magazine articles and news stories. Judy has finally settled on her true passion, creative nonfiction. She was a contributing author for Seasons of Our Lives: Winter and is currently writing her first full-length memoir, Out Tonight. Judy lives on Anderson Island in south Puget sound with her husband Bob. In her spare time, she likes to read early 20th century novels and feed gourmet meals to stray cats.
Tony Healey is the best-selling author of the sci-fi series Far From Home. He was a contributor to the first Kindle All-Stars short story anthology, Resistance Front, along with award-winning authors Alan Dean Foster, Harlan Ellison and 30 others. In January 2014, he published the speculative fiction and horror anthology Edge of Oblivion, with all proceeds going to charity.
Tony’s post for the blog hop will be available for your reading pleasure on May 12th.
Courtney,
Sounds like your parents’ 50th was a resounding success. I remember my own parents’ and it was just so special to honor them because, well, that is quite an accomplishment!
I loved reading the detailed description of how your writing process works because we are all so different. And, yes, I start as a plotter but also move back and forth between the two as I get deeper into the manuscript.
Whoops! Judy, I somehow missed replying to your comment. I’m so sorry!
Yes, the reception went swimmingly, and my parents were thrilled. Everybody had a lot of fun. I really enjoyed seeing the two of them celebrate being together for half a century. That was the loveliest part. : )
I think a writer has to leave herself a certain flexibility during the writing process. If I tried to confine myself to the plotter side, I would likely end up with a story that felt “forced.” But if I just “let it go” (as today’s most popular pop song advises), I’d either stall out because I don’t know where I’m going, or I’d end up with a story so convoluted as to be unreadable. But if I give myself the freedom to follow my instincts back and forth as you said, I achieve at least some sort of balance.
Thanks for the visit, Judy. And thanks again for asking me to be part of the blog hop! I enjoyed it. : )